The big grey dog

Trichordal Opera in a hundred sentences without singing voice

for toy-piano and / or other keyboards

The rules:

 

 

The hundred sentences tell the story of the big grey dog.

 

Each sentence is also the title of a musical piece.

 

Each piece fills two pages – so you never have to turn pages while playing.

 

The player of the opera does not need to worry about the numbers over the notes. They are a trichordal analysis of the music, which are written down by the composer in order to find his way through his often quirky trichordal pieces: hereby the number 1 denotes the note C, 2 the note C# etc., a denotes the note A, b the note B flat and c the note B. All possible symmetrical trichords are used.

 

At the piano some pieces are transposed for one or two octaves higher or lower as indicated at the beginning of each piece. The 8va alta or 8va bassa- indications in the pieces are added to the octave of the piece performed on the piano. Therefore, the 8va alta / bassa indications are always to be considered relative to the general position on the piano, while on the toy-piano they are ignored.

 

Fifty of the pieces are composed for a toy-piano with 30 keys, respectively 2 ½ octaves from C to F, the other fifty are composed for a toy-piano with 37 keys, respectively 3 octaves from F to F. Whether a piece belongs to the former or the latter type, is indicated at the beginning.

 

 

 

 

Performance practice:

 

 

a) With speaking voice:

 

According to the desired length of the performance a certain number of pieces is chosen. It is also possible to choose none or all the pieces. The titles of the chosen pieces shall be read out before the respective piece is performed. It is also possible to read the titles of the pieces which are not performed. If desired one can read out all the hundred titles and play only the chosen pieces after the respective title.

 

 

b) Without speaking voice:

 

According to the desired length of the performance a certain number of pieces is chosen. It is also possible to choose none or all the pieces. The titles of the chosen pieces will not be read out before the respective piece is performed. Instead, while playing, the performer is thinking intensely of the big grey dog. Therefore, the shortest possible performance is the one in which the pianist plays no piece at all, instead he thinks shortly, but intensely of the big grey dog.

 

 

The hundred sentences :

 

1) I'm sitting at home and I'm playing a tune for myself

 

2) I could play another one, but I play this here
 

3) Clara enters the room and wants to tidy up

 

4) Uwe wants to watch TV

 

5) Eva comes with the vacuum cleaner
 

6) I can barely hear what I'm playing

 

7) I am told to finally shut up

 

8) My existence as a musician conflicts with Clara's intentions

 

9) Theo comes with his electrical screwdriver to disassemble something

 

10) Agnes starts cooking

 

11) Otto draws a bath for himself

 

12) Everyone claims my crowded room
 

13) I try to play another tune, but it makes no difference

 

14) Intelligent life is no longer possible in my room

 

15) What is more, Uwe and Otto now are quarrelling about which TV channel should be set

 

16) Eva's hoover-cable entangles with the pots of Agnes who protests loudly

 

17) I leave my crowded home in search of temporary peace

 

18) In the antechamber strangers have arranged a shop and others are slaughtering a sheep

 

19) The staircase is full of people who walk up and down the stairs, some are dragging heavy suitcases and pieces of furniture

 

20) In order to leave the house, I have to climb over the chairs of a newly and provisionally arranged dental clinic
 

21) I'm not brave enough to look for my car in the garage and prefer to go on foot

 

22) In the streets simultaneously there is a traffic jam, a flea market and a bicycle race

 

23) I'm making an effort to push myself through the crowd that is watching a boxing match

 

24) Even on the forest path a loud group of schoolchildren approaches me

 

25) This causes me to leave the path

 

26) Off the path, finally I encounter nobody anymore

 

27) I'm stumbling over roots and push myself through scrub

 

28) I'm advancing very slowly now

 

29) Trying to avoid the thorns I spot the grey dog

 

30) There is no doubt, the dog follows me
 

31) I try to run in order to outdistance the grey dog

 

32) I jump over rocks, rush on ridges, get hold on tree-trunks

 

33) I would have nearly plunged into a gorge

 

34) The grey dog is still chasing me

 

35) I get stitches and have breathing trouble, because I'm not used to such sportive activity

 

36) If I stop once in a while, I hear the panting of the dog who is still behind me

 

37) I notice that I have no clue where I am

 

38) I'm lost

 

39) Now I follow the grey dog

 

40) Very determined it walks in a certain direction as if it knows the way

 

41) If I get on very slowly, at some points it waits for me

 

42) The dog leads me on a small clearing

 

43) On the meadow there is a rocket

 

44) A team of scientists is greeting me as if they had expected me

 

45) In a few minutes the rocket will be started, and I shall be the test pilot

 

46) I neither need any skills, nor any knowledge, I only have to embark

 

47) Before the hatch is closed, I see the dog wave at me with its paw

 

48) The pillar of fire hurls the rocket and me into the sky

 

49) My journey to Mars lasts eight months

 

50) If a had a piano, it would not work at zero gravity anyway

 

51) Everyday life of travelling in space is lonely and monotonous

 

52) On board there is a Donald-Duck-paperback which I already know by heart, word by word

 

53) The landing on Mars takes place fully automatically and smoothly

 

54) There are many blinking lights here, but no humans

 

55) In the base on Mars everything works flawlessly and nearly without noise

 

56) All the technical devices are easy to operate

 

57) Furthermore, all the levers and buttons are labelled and illustrated foolproof

 

58) On the food-dispenser there is a variety of four buttons

 

59) Regardless of which button I press, I always get the same, namely a yellowish white pulp of poorly convincing consistency

 

60) I haven't figured out yet what the mush actually tastes like

 

61) After the meal the plate and the spoon are reinserted in the dispenser

 

62) The chess computer is so smart that I always lose, so I decide to reprogram it with a heavy sledgehammer
 

63) There is only one spacesuit here, but it fits me perfectly

 

64) If it is fully charged, I can walk with it on Mars up to three hours

 

65) However, already after two hours I hear an alarm signal in the helmet indicating that the oxygen supply is running short

 

66) The message is repeated over and over again and I can't turn it off, which is very annoying

 

67) Therefore, I try to limit my walks on Mars to two hours

 

68) On Mars even with the heavy spacesuit I am as light as straw

 

69) But this time a sandstorm approaches

 

70) Soon I can't see anything at all

 

71) I brace myself against the storm, so that it doesn't carry me away

 

72) Hopefully my spacesuit is heavy enough to hold me on the surface

 

73) I'm already losing my footing and I'm flung high through the air

 

74) The warning voice in my helmet is drowned by the roar of the storm

 

75) If I try to stop my drive, I'm flying even faster and higher

 

76) Now I am in an orbit around Mars

 

77) There are only twenty minutes of oxygen left
 

78) I am going to die here, orbiting around Mars

 

79) A Sputnik from earth is exploring the solar system

 

80) The Sputnik gets nearer and nearer

 

81) On its reconnaissance flight succinctly nearby Mars, the Sputnik hits me right into my stomach

 

82) The blow chokes me, but my spacesuit bears up

 

83) The collision has altered drastically my trajectory as well as the path of the Sputnik

 

84) Thus probably billions of dollars are screwed up

 

85) Soon my oxygen supply will run out

 

86) A strange spacecraft, which looks like an UFO, approaches me

 

87) The hatch opens and an extraterrestrial appears

 

88) No, it's the grey dog who is wearing a spacesuit

 

89) I'm so amazed that I barely notice the loud whistling noise in my helmet

 

90) The dog grabs me with its strong paws

 

91) I'm fainting because there is no more oxygen left

 

92) I'm in a coma during the whole flight back to earth

 

93) Or have I been frozen by the dog?

 

94) When I wake up, I'm already in the NASA salvage vessel

 

95) Before I'm allowed to go home, I'm brought to the country hospital in the capital

 

96) There my body and my mind are examined very thoroughly
 

97) In the quarantine I'm separated from the grey dog

 

98) I have never seen it again

 

99) Finally I'm released from the quarantine

 

100) I'm taken home in a taxi